Wednesday, October 04, 2006

The Fifty States of Fame

The Tripe-Pod of Big Thoughts
OR
FIFTY STATES OF FAME*


The smell of the excrescences of the mother’s nether place, the mother having dined on tripe, made spin the head of the famous midwife, Alabama, who fell into a dizygotic spell, now expecting twins. Actually it was only the fundament slipping out. Alabama, of all midwives, should have known, but did not—not until the baby, singular, erupted out his mother’s ear, a giant.

The proud father, touted baker Alaska, large himself, beheld his boy with bonhomie. He dandled him with derring-do, as macho fathers may. Named him Dither.

Postpartum megrims drove Dither’s mother to the head-shrinker, so it was Dither’s dad who gave unto Dither an argot’s argosy of meaning (cat, ball, da, ma). It pleased Dither. A faith in words ballasted his heart. Two years later, when matriculated in a Program, he met curly-haired Arizona, who jettisoned the ballast. Arizona’s empty words—not freight, not grapnel—were beautiful and free. Guess what? That’s what. Bang Bang you’re dead. Language could scud, founder—gam, even.

Dither’s first friend was the lubricious prodigy Pip, né California. Pip was: seven going on thirteen, aware of breasts, aware of backsides, aware his age excused his fondles. Pip was: never blamed by mom, or, if blamed, never one to know, deaf by TV din, fat by TV dinner, bane of every Vine Street Mother, known for stunts with cats.

Carolina North, premier tease of seven years, portending that great world of “Girls,” ably aped the bumps and grinds of curves and hips as hot entr’acte on either side of which the second grade presented Tall Tales and Heroes (among whom find: Dither, that is, Captain Stormalong) and at the end of which PTA mothers clapped.

If your spectrometer reads C. North as red, here’s some violet for you, six grades later: Carolina South, first girlfriend, and daughter of the famous South family. The family was flatly rumored prostrate to consensus, solving every problem jointly, deciding any kind of matter, family or personal, without talk, without a king or queen, concurring like Quakers, cabaling as quincunx. When Carolina, of a sudden, requested Dither no longer grope her in the fashion that hitherto had been endured—this at the moment when Dither’s spring was springing, as one could tell, innocently enough, from his voice (just getting over something, he said throughout that squeaky summer)—the request came out of committee: Sister Vertex South (by southwest), Father Vertex South (by southeast), Sister Vertex South (that is, north, by northwest), and Mother in the Middle.

Winning a contest, Dither met Miss America 1988, whose real name was Colorado, but who, coming from Michigan, had adopted “Kaye Lani Rae Rafko,” the better to promote herself, rather as a later a classmate of Dither transformed from Edith to Zoë, the better to write poems. Miss America was Miss America alright, but as proof of providential equanimity had problems with smalltalk. Dither listened to her greet the runners-up. “Michelle”? Oh! Michelle is my sister’s name—pleased to meet you Michelle. “Bert”? Hi, Bert! My nephew has a playmate named Bert. “Quentin”? How are you Quentin? My Father once worked for a man who was in business with a woman who had a son called Quentin. “Dither”? Why my grandaddy’s sister knew a man who married a girl who bought a dog that had been trained by a man whose mother had that name.

Back at high school, Connecticut, class president, dapper, dark, deserving, was picking on Retards: funny stuff, you asshole!

Friday nights Dakota North and Dither daydreamed. They contemplated stars and stardom, reclined upon a K-car car-top. “Fame is a bee—” D. North adverted; “It has a song—” Dither concurred; “It has a sting—” D. North admonished; “Ah! too: it has a wing.”

Horse-doctor Dakota South spoke at the commencement because it’s very hard to find a famous alumnus of a public high school in a small Midwestern town.

As Dither awaited College, a funny thing happened.

DRAMATIS PERSONAE

DITHER, ditherer
DELAWARE, his younger sister
FLORIDA, a drawing model
GEORGIA, a recurring voice on a broken telephone
HAWAII, the maternal grandmother
SNOUT, a tinker

Curtain opens on Florida, who is beginning to look like Delaware. Delaware enters stage left wearing ermine and holding roses. She is beginning to excel at beauty pageants. As she reaches center stage we hear Georgia speaking from off-stage in lilty cadences, cadences that Delaware and Florida adopt when they speak. Dither enters stage left, reading mail. Hawaii has died, and it is his job to respond to her mail. Her mail has continued to arrive in great volume. Surprisingly, the postmarks have regressed in time, the tenor of the letters has grown youthful, the epistolary biography of Hawaii has repeated in reverse, and the events of the letters have begun to describe, to a T, the present lives of Delaware, Florida, and Georgia, all more or less the same person now, doing quite well for herself by way of Playboy Magazine, but eventually producing cross-eyed, hemophiliac children. Curtain falls.

Yid Band Needs Drums—Goy Kosher is what blazoned a posting, kinkoed gay and plucked of all save one petal: call 555-5555. Freshperson Dither tore it from the phone pole, dialing to reach Lead Man “Idaho” who said yeah we’re called I-I-I, but your initial doesn’t matter, it won’t change, so you can play? to which Dither said BANG!: except I’m big. Which is fine, said Idaho, but can you play? to which Dither said I moonlighted with Rude Rood, to which Idaho said Christian? to which Dither said yeah, and they sucked and I quit.

Bassist Illinois liked the goy drummer and even played special riffs for him to wail after, a little Hawaiian, a little Mod, and often gave Dither ideas for stories: what about one, where, see aliens have something to do with....you know gay people? or how about where you update something?

Chary Indiana reckoned rank-smelling “Idaho” none too dope for having snared the nearest goy with drums, and he rankled at this rank-pulling, thought I-I-I could use a forth I, or even, maybe, an E, and certainly a Jew; but he liked Dither well enough, could see letting the giant ride with them this bucking dragon of fame that flapped and hurtled with fire and scales toward that time in every human life when avarice culminates in happiness, but thought they should vote on it first.

Iowa, sockdologer, voted Dither down.

Disillusioned with teamwork, Dither attended Open Mic in College Town, paying an Abe to join the other part-Irish, part-English, part-French, part German, part-Scottish, part-Polish, African American Bluesmen. Soon Dither was listening to FEELING, crooned by Kentucky, something along the lines of which he later sang himself. FEELING was, like, likeness, now, mostly.

On Dick Dienstag Dither had a Dick test done at the Baton Rouge office of famous Dr. Louisiana, the results of which came back negative, thank God.

Collegiate Dither met many famous people, including that guy from that Situation Comedy, that guy that was the voice of for that Animated Full-Length Feature, and that Leadsinger from that Band (Maine, Maryland, and Massachusetts).

Dormitory paramours Michigan and Minnesota intertwined in Dither’s mind, both having written Creative Nonfiction certain to best sell. Plus their succession had been so rapid. Now for his failure to distinguish between them he felt great remorse, not only in a Christian way, but also in the way of all sex, becoming himself less specific to the universe, to the universe, to the universe, to the—

He fell in love with Mississippi, whose face was ducky,* whose height was high, whose breasts were snub and tough but nice, whose father was famous, whose plans were grand, whose words sashayed, whose roots, however, were in Farmland—the kind of girl that everybody looks at—the kind of girl that gets high instead of fat.

Missouri, her real boyfriend, made Money.

Heartbroken Dither barhopped, meeting Montana the Great, who came out at night, waxed great at night, boasted to write, seemed to have written, tippled toward our Pantheon, bent now over that potable greatness sure to besot him to glory by twelve (bar-edge creasing belly like a jetty creases beached whale), having not only the dream, the talk, the hair, the car, the roots, the soul, the wife, the Brother, the Sharp, the shirts, the wink, the cheeks, but a good sense of himself, too, and other people, which he shared with Dither, adopting Dither, as Dither bent over potable woe, having had a clean palate of woe to begin. Montana the great gave consolation as monologue: “Your heart is breaking? My heart is breaking too—an age for that, really. Did I tell you I’m from the Hills?”

Former homecoming queen Nebraska, who looked like a homecoming queen in danger of no longer looking like one, saved Dither on his way down. Like a trapeze artist. Dither had swung so up as up can swing, released, hovered, started to fall, and caught the wrists she offered him. She caught his and held them fast, hungry to protract her vocation high, prospectless of another Flying Desperado so desperate and so cute, every partner seeming flabbier than the last. Dither, having for a moment felt relief, gazed down at that net, saw an Elysian field, and recalled Heraclides of Tarentum’s saying that when the ship is at anchor and the case is urgent it is better to cut the cable than to waste time untying it—a timely thought, or an ironic one. (At that moment Nebraska dropped him.)

What lights your outlook brighter than orbiting a star? In person Dither briefly met Nevada, whom everybody knew for his widely televised feat of geophagy, conceived to outdo New Hampshire, famous, yes, for having dined on wood. But it was wormwood, so to speak, that Nevada—as the star of a derivative stunt—really ate. Clay was tougher and braver, but nobody cared.

College crony New Jersey sought nothing very sempiternal in publishing his book about what was wrong with the world today, but got it anyway, at least for a moment, in place of a thoughtful reception.

On the Seaboard Dither picked up a Liberal Arts Degree and a Jazz Sampler. Fortunately, Famous Professor New Mexico encouraged him to buy a Whole Album. Dither bought Journalism and Kind of Blue.

Misjudging the Historical Epoch, New York had accidentally attended seminary, longing like anyone to be a Great Man, and thereafter hiding his goof, at least from Dither, who only knew him casually, by treating Dither as though it were effortless to treat Dither effortlessly, a effort under which, of course, Dither smelled hatred.

Ohio was high in the middle and round on both ends, a kind of circus freak.

Oklahoma never got famous, but had a thought. What if Libertarians and Artists actually suckled from the same teat? Not really a consonant difference, there was, between N.E.A. and N.R.A. I AM ME you are you.

Freelancing Dither slandered Oregon, the senator, exposing what might have been the hole in the dyke that was the senator’s good citizenship, into which, naturally, the senator stuck his finger.

Pennsylvania, pettifogger, argued the case, and won—it being settled out of court whose side.

With a bark and a letch Rhode Island, the wanton she-dog, nipped Dither, and Dither expressed his trifid fear of rabies, scabies, and babies. Nevertheless he took Tennessee to wife, and gave birth to many people who might become famous. At that time, Idiot Texas, knowing people, won President.

Oh come, all ye faithful! Studly Utah, physically in fine fettle, famous for his pizzle, at least among fans of a certain kind of film—a kind of film favored by Dither when Tennessee did Tai Chi—fell from fortune as he began always to preach The Word at that crucial moment.

Dither got old. With his last work of journalism avarice culminated in happiness. It was Dither who covered our war against the Dipsodes, in which Vermont, the single casualty, was beheaded. The beheading had been unspectacular enough, anyway. It was the reheading that Dither capitalized on. All the army had forsaken Vermont, except Virginia, who, finding the severed parts, said: “If I don’t heal him, I’m willing to lose my head.” Then he thoroughly cleansed the neck with pure white wine, afterwards the head, and dusted them with cocaine, which he always carried in one of his pockets. Next he greased both with I know not what ointment, and fitted them exactly, vein to vein, nerve to nerve, vertebra to vertebra, so that Vermont should not be wry-necked—for such people he mortally hated. When revived, Vermont expressed irritation, having feasted in Hell, and having met some very famous people.

Charlie Chaplin was hawking mustard,
Elvis Presley was a blacksmith’s bellows-man,
Frank Lloyd Wright, a snatch-thief,
Alvin Ailey, Jr. hawked lye in a clog,
Ernest Hemingway was a faggot-porter,
Nelson Mandela a furbisher of armor,
Mother Teresa, a cunt-shaver,
Albert Einstein, a scraper of verdigris,
Pablo Picasso, a scullery-maid,
Jean Paul Sartre and Simone de Beauvoir were criers of little pies,
Leonard Bernstein made jet trinkets,
and Tennessee Williams had ringworm.

Dither wrote this up famously.

Later, Dither married Virginia West, as famous old men will.

Washington, Dither’s friend in the Home, had one thing to boast. An agent had loved a story of his—John Steinbeck’s agent. That was 1954.

Wisconsin came in the night.

Wyoming aimed his scythe.

Saturday, August 26, 2006

Book Review A

For the sake of having some opinions, the plodding reader can distinguish between two kinds of fiction.

In the first kind, the narrator or protagonist acts as a surrogate for the plodding reader, allowing an experience of empathy or vicariousness. John Updike's sensitive mensch has a boner in Pennsylvania, so the plodding reader has a boner in Michigan, and so on.

In the second kind, the narrator or protagonist forms the third vertex of a triangle comprised of him, the reader, and the world. The area of the triangle is the space of satire. The difference between the reader's point of view and the narrator or protagonist's point of view permits the irrationalities, shortcomings, immoralities, quirks, and/or injustices of the third vertex to be estranged and thereby recognized.

The power of method #1 is that nobody turns away a surrogate boner, except perhaps girls.

The power of method #2 is that wrongs can be righted, insensitiveness can be sensitized, tyrants can be mocked and deposed, and marginal minds relax in centers of vast readerly sympathy. Except that these effects last exactly as long as the book is open. Once it's closed, the wrongs right themselves back into wrongness, people spit on babies, tyrants rule, and marginal minds get locked up and buggered.

In THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Mark Haddon creates a triangle between you, an autistic boy, and people who separate maritally. He allows the reader to feel both charitable and clever, creating a protagonist who tests the reader's ability to get what he's saying. It's an easy test.

Books written by the rules of method #2, with a satirical narrator, depend for success on two criteria.

The first criterion is the importance of the satire - its magnitude, acuity, and relevance. The greater the importance, the greater the righteousness with which the reader can shut the cover of the book and sit on his duff. By this criteria SLAUGHTERHOUSE-FIVE receives an A, HUCKLEBERRY FINN receives an A, and THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME receives a B-.

The second criterion is the delight and invention of the satirical point of view. The greater the delight, the more the book resembles something made by a genius. By this criteria, SLAUGHTERHOUSE-FIVE receives an A, HUCKLEBERRY FINN receives an A, and THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME receives a B-.

Friday, August 11, 2006

News from Vacation

Roberto: "I have politicial opinions."

Roboto: "Do I care?"

Roberto: "Terrorism should be treated like an international crime."

Roboto: "Who are you?"

Roberto: "Not like war."

Roboto: "Duh."

Roberto: "Conservatives believe that some things are just worth dying for."

Roboto: "Let me see your papers."

Roberto: "Liberals believe that nothing is worse than people dying for other people's Things Worth Dying For."

Roboto: "Show me your diploma."

Roberto: "It's got valves and chambers."

Roboto: "How democratic."

Saturday, July 29, 2006

Part Twenty

Q: "Are you in earnest, when you talk about strict grammar? Sometimes it sounds like you mean the exact opposite."

A: "What could that phrase possibly mean?"

Q: "What phrase?"

A: "EXACT OPPOSITE."

Q: "So you're not really a stickler?"

A: "When you're flirting with Bethany Plum, do you take her words literally? What if she says she totally hates boys?"

Q: "You use a lot of courtship metaphors, considering your mojo's got the tempo of a glacier."

A: "You use a lot of glaciological imagery, considering your intellect could fit inside a tawny acorn."

Q: "You use a lot of arboreal figures of speech, considering your brain's got the fizz of a can of Mello Yello sitting open since the year Ozzie peed in the Alamo."

A: "You use a lot of Eighties-Legend Uric-Soda Black-Sabbath Similes considering I hate your guts."

Q: "I do not."

Friday, July 28, 2006

Part Nineteen

Thinkers shall be happy to think about my forthcoming work on grammar. Read it, and learn how not to annoy my grammatical brain. Agree in number. Keep infinitives whole. Eschew false apostrophes. And so on. Read it, and comprehend the moral superiority I derive from knowing grammar. Read it, and excuse yourself from reading books with content. Read it, and feel your bosom swell, like a snake-bitten leg.

Thursday, July 27, 2006

Part Eighteen

Dr. Teeth: "You've got the wrong strategy for the venue. You've got to identify an anxiety."

Glaucon: "Explain what you mean, Dr. Teeth. The wind is blowing from the East, so speak loudly."

Dr. Teeth: "Tailor the content to the addled nerves of worried people. Feed them an image of their own stress."

Glaucon: "Very interesting. Perhaps I am beginning to see."

Dr. Teeth: "They have a crush on something. What they have a crush on is a delusional tranquility, whose endless vanishing makes possible a profound uneasiness, which they live on."

Glaucon: "The concept is dim."

PIG MONSTER: "Give an example."

Dr. Teeth: "They have symptoms. What do the symptoms mean? Is it scrofula? Is it rabies? Is it heart disease?"

PIG MONSTER: "Give another example."

Dr. Teeth. "They have manuscripts. How can they sell their manuscripts?"

PIG MONSTER: "Give another example."

Dr. Teeth: "They made babies."

PIG MONSTER: "I made a baby. I have rabies and scabies."

Glaucon: "Could you speak up?"

Wednesday, July 26, 2006

Seven Seconds of Eternal Life

Here are some names I've invented in case you're googling yourself:

Thomas Merton, John Epstein, Laura Shipperbottom, Lindsey Peters, Morgan Duncan, Duncan Morgan, James K. Swivet, Patricia McNaughton, Randy Myerson, Stanley Kamenski, Otto Worthington, Jason Mason, Poo Poo La Barge.

Part Seventeen

Phoebus Brickel: "What are you so angry about?"

Helios Feck: "I'm not angry. I am the scope of history scratching the itch of an idiot generation."

Phoebus Brickel: "What gives you the right?"

Helios Feck: "Staying power."

Phoebus Brickel: "How can you look down on everybody like that?"

Helios Feck: "Iggy Pop is my bitch, and Diane Sawyer is my bitch, and David Letterman is my bitch, and Eddie Vedder is my bitch - but I'm the bitch of bastards bigger than the moon. I get my buttocks cudgeled by Hegel, my toes stomped by Burton, my nose tweaked by Augustine, my beard pulled by Burke, my eyes gored by Sophocles, my kidneys lammed by Johnson, my thumbs screwed by Whitman, and my teeth crazed by Rabelais."

Phoebus Brickel: "But what do you do for fun?"

Helios Feck: "Hedge Funds."

Part Sixteen

Yahoo News announces that Michelangelo had autism; Michelangelo didn't have autism; the twenty-first century has autism. Michelangelo had a cosmology and city-state that made possible elbow grease, genius, anatomy, form, color, religion, meaningful comprehension of death, and good paper.

Hey! Michelangelo! I'll trade you my psychopharmaceuticals for your drawing of Jesus! How about this canvas that a millionaire barfed on? What about a tinker toy, an oil magnate, a used condom, a radio morning show, and some poems I wrote about my feelings? You're on!

Saturday, July 22, 2006

Part Fifteen

Q: Aren't you angry that the world is stealing your material?

A: Owning all, you covet nothing. You laugh at the greedy fools who sail wisdom's waters on violence and panic. Intellectual property rights concern none but small minds, narrow hearts, meager skulls, minor puds, tiny thinkers, assholes, dunderbodies, MBAs, mites, and baby bugs.

Q: But somebody has to own it! Look how much money Meet the Fockers made!

A: Charles Mee is an American hero.

Q: What's your answer, then? COMMUNISM?

A: The Phoenician businessmen have died far deader deaths than the scribes who scored the grain-lists in clay. The lights will go out, the regimes will change, the crowd shall worship new afgods, wearing novel laces on their hightops, and new ribbons, meaningless. These words shall remain.

Q: Electronically?

A: I'm carving them in the picnic table.

Q: Say something about that.

A: My wife is PISSED.

Friday, July 21, 2006

From Another Conversation

"Name for me the famous tenors of the nineteenth century! Name the most popular comic strip of 1909! Name the troubadour whose fame all of Nice was lauding in 1456! Prove to me the eternal value of your favorite contestant on Survivor!

"In 1667, epic poet John Milton was having a conversation with epic poet Virgil, who was living in 10 BC. Is Paradise Lost BORING? Are you totally BORED? Did you hate Mr. Stukey, from senior-year English class, for BORING you?

"Enjoy your tenure in heaven with Shel Silverstein then, and your memories of your great suburban nullity! Your dog, Mariah, will be there too!

"I drink Miller Lite, and love it! I listen to Bryan Adams, and get lachrymose when it cuts like a knife! I shampoo my hair, and discuss Life of Pi at the book club! I bask in the living death of shadowy forms!

"There are dead people who still sound like they're talking to you. There are living people who already sound dead. You can hear the fashion in their prose like you can see the bangs in my sister's high school photo from 1985!

"It makes money, them prose-bangs! And money buys cookies! And shoes! And I love cookies! And shoes! And being wiped from the surface of Earth without trace!"

Wednesday, July 19, 2006

Part Fourteen

Go forth, and draw a feeble line to mark the boundary between the clear inflection of the foolishness of past events and the voicelessness of the present's common sense. The history of your own people grows foreign even at a near remove, and strangeness settles over every record. It undermines the solidity of values, which entail nevertheless a megalith around which present actions have got to squirm. Louie, Louie is definitely an Oldie. I never used to be able to imagine Marxism. Catholic guilt, the fear of purgatory and of hell, find their formal analogue in that anxiety you're constantly whining about, about making a mentally healthy go of it. You are an irresponsible citizen, blithe, fit, informed and scientific, failing to seek the terms into which to translate the putative, doubtful novelties of your modern doodybody self.

Monday, July 17, 2006

Part Thirteen

Here are some of the restaurants responsible for the death of traditional verse forms: Applebee's, Long John Silver's, Bob Evans, The Cheesecake Factory, Pizzeria Uno's, McDonald's, Roy Rogers, The Macaroni Grill, Waffle House, Burger King, and Pizza Hut. Citizens suffering from that eternal fear of the unknown, which riddles the bosom of every women and all men, once took solace in familiar rhythms and rhymes. Now they count on being able to get just the right curly fry, day or night, from here to Santa Fe. If democracy and illiteracy had any less salt, or any more poetry, I'd get off my duff and vote! Your menu is representation enough! God bless!

Friday, July 14, 2006

Part Twelve

RUTLEDGE: "You're not saying anything the German thinkers didn't say before you. If this is the grand synthesis, it's only really the 'grand synthesis.' It'll have to be filed under something."

TOON: "It used to be the case you could stomp your feet and clap your hands, and the whole tribe was on for Totality. Dactylic hexameter and whatnot. Greece had two dozen Homers."

RUTLEDGE: "I like your term paper."

TOON: "Then it was fifty-two weeks of scripture, then it was Rudyard Kipling poetry, then it was concentration camps. I've lost track."

RUTLEDGE: "You're a pessimist."

TOON: "I remember. Then it was reality programming. I mean, as a whole."

RUTLEDGE: "Spiro Agnew had a name for you people."

TOON: "And guess what I'll be writing in August."

RUTLEDGE: "Predictions of war."

TOON: "Guess."

RUTLEDGE: "Rich Richard's Almanac."

TOON: "You ruined the joke!"

Part Eleven

Q: How long has the Radical Formalist been blogging?

A: The Radical Formalist is the oldest blogger in the universe. Back in September of '84, when the average citizen was first letting Punky Brewster prove his empathy and humor, the Radical Formalist was providing opinions on sperm whales. He helped the Iroquois terrorize the Jesuits in 1643. He gave William Shakespeare a rhyme for 'increase.'

Q: Who pays the bills?

A: He holds the copyright to everything ever thought.

Q: Is anybody smarter than the Radical Formalist?

A: Royalties are his oxygen, his dollars, his porkrinds, his concubines.

Q: Did you hear the question?

A: I am the question.

Thursday, July 13, 2006

Part Ten

Don't doubt for a minute that the man next to me can't hear me starting to write opinions, when I start to write opinions. It hurts his ears, it's so obvious.

There's a skeleton in my philosophy, ossified as anything, and the flesh is barely living. It's barely flesh. It's like kudzu on oak, and I forget myself, and think that it's oak. I'm wearing a t-shirt that says Novelty. I've got one mirror, and I probably need three even to get started.

If the man next to me breaks the law and gets high, while listening to some favorite hits, he'll hear drums in the recording the same way he hears concepts in my essay. Ginger Baker isn't playing live, he's slogging the toms alone in a padded room. There's glass between him and his friends. The living fact of music, meanwhile, happens in garages in Topeka.

Stop expiating as if the arguments do what they promise. They're as meaningless as the small talk you make in the seven minutes before you finally find the guts to kiss Francesca, who's obviously ready for it.

Wednesday, July 12, 2006

Part Nine

I lay my words on the jocular lap of July, tripping on felicity, falling on good times. There is no bitterness here, no cramp of solitude, no delusion of the exceptional.

I lavish all co-workers with secret affection. I draw pictures of their better lives. I lose myself in the sound of the truck that idles three floors down. It roars with my patience.

A fundamentalist rapes my poodle, Jennifer. I kiss his ear in forgiveness, let him have my gift certificate, sleep on it.

I've had a fine hour and a half.

The failure of technology touches my fingertips with gladness. Your crimes amount to a joke poorly told. Your abuses are innocuous, your faults are tooth and grain and beauty. My parents conducted their parenting with hands softened by God.

Bacon thins me to gorgeousness.

Time bends over backward at my command.

If you hate it, I'm with you. If you love it, I'm with you. If you burn it, I'm with you. If you doubt it, I'm with you.

My fame is your fame, but you owe me four dollars for the update.

Part Eight

BRENT: "I'm worried about fitness."

PASQUILLO: "You've got a housing development in your blood. You've got houses named Glen Dither in your blood. You've got a funeral parlor. You'll be taking your dead mother there, honking the horn at the Unitarians and the Sunnis, happy as nuts. She'll be dead."

BRENT: "What's the thesis?"

PASQUILLO: "It's the king in my blood. If the king in my blood were leukemia, I'd have bought the farm by '03. If it were dollars, you could gut me and found a nation. Some Saturday night, after the third Capri Sun, turn the lights off, stare at the fading radiation from the Magnavox, and allow yourself to entertain the hypothesis that you haven't got a king in your blood."

BRENT: "I'll be sad."

PASQUILLO: "Turn up the AC."

Part Seven

All blogs are about me, except one. My blog is about you. Salvation waits like a twinkie on the qwerty. And so on.

Part Six

Tell me your opinion! Detail the program! Scene by scene by scene! Inform my taste in coffee! Read the book and rule it, through rehash and disapprobation! Have a favorite poet! Make me be her bitch! Bugger Roger Ebert at his own bumptious buttfuck! Tell me what Wolverine is REALLY like! Your honors say go! Your diploma's a pompom! Master the culture in expository earnest! Throttle the book club! Enlighten it's doofuses! Renounce The Life of Pi! Begin the formation of the nation's civilation! Feel central and clever and freed from your sister! Study ideas at the graduate level! Own them, and preen them, and hate me for knowing them! Read a hundred books this year! Love my ignorance like a blowjob! Rank the cheese! Scoff hard and sleep soundly! Be yourself to the penny! Away!

Tuesday, July 11, 2006

Part Five

Everybody loves a personality, and you can make one out of the right pieces. The questions include:

How close can a body come to atomizing the process?

What are the atoms?

Are they mostly, like, hydrogen?

How does a body truly convey the impression of soul, once the molecules come together?

I estimate you spend 93% of the week being a parrot. I admire your opinions! Like I like liturgy!

Readers of the glossy monthlies are gorging themselves on the Multiple Choice Quiz. Remember giant lego for toddlers? And how strange it looked to you, once you had graduated to standard issue blocks?

Call to mind the friend who declines to purchase a copy of Tristram Shandy these days - because the movie came out. He knows the people at the bookstore will second-guess his cultural molecule, not realizing that it's a pure synthesis of Thomas Jefferson's Recommended Reading, and his own mojo. He's hurting inside. Who can blame him?

Part Four

All topicality will pass away, so you should probably stop having so many ideas, and start studying some forms. Also, the lights will go out long before the species passes on, so transcribe your darling rants to archival paper, or better yet the gut of some dead cow. You can expand like a blotch of ink spilled on the flannel sheets you got at Kohls, or you can pierce a needle through the mattress to the floor, and the floor below that. What's so interesting about this generation? Have some faith in your children's children's children's children's children's children's children's whiz kids, who'll be kneeling in happy genuflection before somebody other than Ron Howard.

Ask yourself: what do missile defense and prosody have in common? Anything?

Monday, July 10, 2006

Part Three

I had to pull my stumps and coil from the library, blink half a dozen times, stumble home, and try and make sense of the venerable Tandy, in order to deliver these electronic delectations here. It pains me to discover that you get the posts in the opposite order from how they're written, instead of as a long, wise waterfall, cascading down to the present.

The real advantage to books is that, in them, earlier tends to come before later. Now that convention's asking Earlier to go first, and descend, and Later to be always sooner, and ascendant, I'll do my best to write today what I expect to feel far in the future, and to leave my present impulses be, until the arthritis takes my thumbs, and I'm popping glucosamine and chondroitin for the weary meniscuses.

Part Two

I can be up front about the question of preciousness, because it's driven me crazy for a coon's age. Down the belly of sense-making runs one motherfucker of a median, dividing the familiar from the unfamiliar, and USA Today from Tarantula, by Bob Dylan, which you shouldn't look at.

You read a novel by Samuel Delany, and there's all this syntax stuff going on, where the language is rendered strange, and it's supposed to have a certain effect. Toni Morrison, who won the Nobel Prize, adds honey to love, and gets honeylove. William Faulkner does something like that because he's drunk, yet more intelligent. Meanwhile the people who would put you on a drug if they could encourage you to use commas. I get in a mood when I write things because I can't decide between siding with the general spirit of idiot comprehension, or with honeylove. Odysseus sailed between softer stuff, respectively.

Part One

How about this sentence: The teacher said that that that that that boy used was grammatically extraneous.

I got it from a lecture at HARVARD UNIVERSITY.

Recently people have been using shorter sentences. Subordinating conjunctions aren't what they used to be. Back in '09 somebody had the idea of celebrating machine efficiency in language, which as far as I'm concerned sounds like digitizing food.

Maybe it was '08.

If you're worried about form, you're not worried about history. It's a kind of private fascism, getting everything in line. I've decided to worry about commas, and spatchcock together some Latinate monstrosities, because I'd make a dangerous leader.

Any poet who's not writing in verse, needs to start writing in verse. Limericks are fine.

In Perth lived a cheesy romancer
In love with a steel-pated dancer.
He lavished his smegma
All over her bregma,
And tarnished so as to entrance her.

Smegma might not really tarnish steel. I haven't tried it.

True or False:
Thomas Jefferson wrote a treatise on prosody in Milton.

True or False:
George W. Bush loves 'The Miller's Tale'?


You should go jogging now. There are still some birds out there.